140 INDEX Note: Italic page numbers refer to photographs and illustrations. Adherencia (Adherence) (1973) 17, 58 Adobe gris (Gray Adobe) (1976) 61 Agujero negro (Black Hole) (2016) 121 , 122–23 alchemy and alchemists, history of 24 Alquimia (Alchemy) series 21, 24, 136 Alquimia 003 (Alchemy 003) 105 Alquimia plata 6 (B) (Silver Alchemy 6 [B]) 84–85 , 86–87 Alquimia verde LV (Green Alchemy LV) 75 Alquimia XVII (Alchemy XVII) 64 , 65 Amaral, Andrea 130, 130 Amaral, Diego 130, 130 Amaral, Jim 31, 130, 130 Amaral, Olga de. See also titles of specific works in 2017 138 approaches to form, process, and material 26 architectural background of 25, 31, 33–34, 36, 129 architectural drafting training and teaching 12, 13, 25, 129 as artist-alchemist 24 artistic agency of 37 on Bogotá 12 bundled wrapped-warp threads 17 collaborations with natural environment 30–31 color used by 12, 14, 17, 22–23, 30 conceptual investigations into materiality and three- dimensional space 24–25, 35–36 contributions to craft 24, 25, 26, 29, 31, 36–37, 131 at Cranbrook Academy of Art 12, 13, 17, 25–26, 31, 129 designs of mantas guajiras for Adriana (No. 19) 14, 15 , 31 early life of 12 on essence of weaving 12 exhibition strategies in domestic and institutional spaces 31, 33 experimental approach with texture and material 17, 26 fashion textiles of 14, 15 , 16 , 17, 31 gesso used by 12, 21 gold leaf used by 12, 21, 22, 24 Guggenheim Fellowship of 136 hair used by 30 horsehair used by 12, 29, 30, 34 on landscape as extension of weaving 12–13 larger-scale works of 20–21 Lifetime Achievement Award from Women’s Caucus for Art 138 looms of 25–26 mantas guajiras designs 14, 15 , 16 , 31 marriage to Jim Amaral 130, 130 material imagination of 26–27, 29–31 off-the-loom constructions of 12 “off-wall” textile works 31, 33 plaiting, wrapping, coiling, and warp manipulation 17, 20, 26 plastic used by 27 portrait with husband and children 130 portrait with mother and sisters 128 practice defined by hypothesis 24 relationship with architecture, space, and the grid 21–23, 31, 33–35 in San Francisco 17 sculptural potential of media 20–21, 31, 33 squares of weave structure used by 12 strategy of mimesis 31 structural textile terrains of 24 studio-atelier in Bogotá 14, 17, 20 , 31 tapestries of 12, 17, 19–21, 33–34 on trajectory of work 22–23 upholstery textiles of 14, 14 , 17, 29 various fabrics made at Cranbrook Academy of Art 14 veneration of nature 30–31 visual vocabulary of 12 wool used by 29, 30, 34 Andes Mountains, landscape of 12 Andy Warhol’s Factory 31 Arte Povera 29 Art Fabric Mainstream exhibition (San Francisco Museum of Modern Art, 1981) 136 Artschwager, Richard 30 Asawa, Ruth contributions to craft 26, 37 Untitled (S. 562, Hanging Sphere with Two Cones that Penetrate the Sphere from Top and Bottom) (c. 1954) 25 , 26 Attar, Brunhild el, Variables Objekt (installation view, 1973) 18 Bauhaus 26 Beyond Craft: Decorative Arts from the Leatrice S. and Melvin B. Eagle Collection (Museum of Fine Arts, Houston, 2014) 137 Beyond Craft exhibition (Tate Modern, London 2018) 137 Biblioteca Luis Ángel Arango, Bogotá, Olga de Amaral’s solo exhibition 27 , 32 , 33, 131 Biennale Internationale de la Tapisserie 18–19