136 1973 Olga de Amaral is honored with a Guggenheim Fellowship. 1974 The Amaral family moves to Paris, France, for one year. 1976 El gran muro (The Great Wall) (see p. 20, fig. 7), a six-story installation and Amaral’s largest work to date, is completed for the Westin Peachtree Plaza hotel in Atlanta, Georgia. 1977 The Cleveland Museum of Art includes four of Amaral’s works in the international exhi- bition Fiberworks . The museum acquires two of these works for its permanent collection. 1979 The first major publication on Amaral’s work, Olga de Amaral, desarrollo del lenguaje , is written by Galaor Carbonell, a notable Cuban artist and writer, and published by Litografía Arco in Bogotá. 1981 The traveling exhibition Art Fabric Mainstream , curated by Jack Lenor Larsen and Mildred Constantine, opens at the San Francisco Museum of Modern Art and includes Amaral’s work. 1983 The Modern Masters Tapestries in New York City features a solo exhibition of Amaral’s work, including her first examples from the Alquimia (Alchemy) series. 1986 Amaral exhibits at the Colombia nelle Corderie dell’Arsenale, 42nd Venice Biennale in Venice, Italy. 1989 Amaral is recognized as honorary chair of the Art Department at the University of California at Los Angeles. 1993 The first retrospective of Amaral’s work, titled Cuatro tiempos , is held at the Museo de Arte Moderno in Bogotá. 1996 Olga de Amaral: Nine Stelae and Other Landscapes , a two-year traveling exhibition organized by the Fresno Art Museum in Fresno, California, travels to the Art Museum of the Americas in Washington, DC, the Cleveland Institute of Art in Ohio, and the Indianapolis Museum of Art in Indiana (fig. 8). 1997 Amaral’s exhibition Rétrospective is held at the Musèe de la Tapisserie Contemporanie in Angers, France. 2003 Amaral presents her lecture and video “The House of My Imagination” at the Metropolitan Museum of Art in New York City. 2005 The Museum of Arts and Design in New York City recognizes Amaral with a Visionary Artist Award. 2005 Amaral installs three large-scale tapestries at the Four Seasons Hotel in Hong Kong. 2012 The Textile Museum in Washington, DC, includes Amaral’s work in Sourcing the Museum , an invitational group exhibition . 2014 Fiber: Sculpture 1960–Present , a group exhibition at the Institute of Contemporary Art in Boston, Massachusetts, includes Muro tejido cuadriculado (Woven Gridded Wall) (1970), which was published in the accompanying catalogue as Lattice Woven Wall #66 . 2014 Bard Graduate Center in New York City includes Amaral’s Luz blanca (White Light) (1969/1992/2010) in the exhibition Waterweavers: The River in Contemporary